{"id":352,"date":"2021-02-19T17:44:07","date_gmt":"2021-02-19T16:44:07","guid":{"rendered":"https:\/\/www.colluvio.eu\/?page_id=352"},"modified":"2026-01-18T12:14:23","modified_gmt":"2026-01-18T11:14:23","slug":"alumni-ueber-colluvio","status":"publish","type":"page","link":"https:\/\/www.colluvio.com\/de\/alumni-ueber-colluvio\/","title":{"rendered":"Alumni \u00fcber colluvio"},"content":{"rendered":"
\n

Aleksandra Pavlenko<\/strong> (*1997, 27 Jahre), Violine, Ru\u00dfland, \u010cajkovskij Konservatorium Moskau <\/em>
\nTeilnahme an colluvio 2025<\/em><\/p>\n

 <\/p>\n

Flughafen Wien, 26. August 2025<\/p>\n

Lieber Meinhard!<\/p>\n

Ich bin gerade am Flughafen in Wien und werde in weniger als einer Stunde nach Istanbul fliegen, von dort aus weiter nach Moskau.
\nIch m\u00f6chte Ihnen f\u00fcr dieses wunderbare Projekt danken, an dem ich dank Ihrer Einladung teilnehmen durfte!
\nIch kann gar nicht beschreiben, wie viel Freude mir diese Reise bereitet hat. Was ich \u00fcberhaupt nicht erwartet hatte, aber gl\u00fccklicherweise eingetreten ist \u2013 ich h\u00e4tte mir nicht vorstellen k\u00f6nnen, dass sich so ein wunderbares Team von Menschen, von gro\u00dfartigen Musikern, zusammenfinden w\u00fcrde, zu denen ich eine sehr herzliche und freundschaftliche Beziehung aufbauen w\u00fcrde. Das Sch\u00f6nste sind wohl die Menschen und ihre Einstellung: zu anderen Menschen, zur Welt, zur Musik. Trotz der vielen Eindr\u00fccke und der Sch\u00f6nheit der St\u00e4dte sind es die Menschen, die mir am lebhaftesten in Erinnerung bleiben werden.
\nVielen Dank f\u00fcr Ihre Gastfreundschaft, Ihre Gro\u00dfz\u00fcgigkeit und Ihren unglaublichen Enthusiasmus, dank dem Colluvio seit vielen Jahren besteht und auch weiterhin bestehen wird!<\/p>\n

Ich w\u00fcnsche Ihnen alles Gute!
\nSascha<\/p>\n

Das russische Original lesen\u2026<\/a><\/h3>
<\/p>\n

Original in russischer Sprache:<\/em><\/p>\n

\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430 \u041f\u0430\u0432\u043b\u0435\u043d\u043a\u043e (*1997, 27 \u043b\u0435\u0442), \u0441\u043a\u0440\u0438\u043f\u043a\u0430, \u0420\u043e\u0441\u0441\u0438\u044f, \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0441\u0435\u0440\u0432\u0430\u0442\u043e\u0440\u0438\u044f \u0438\u043c\u0435\u043d\u0438 \u041f. \u0418. \u0427\u0430\u0439\u043a\u043e\u0432\u0441\u043a\u043e\u0433\u043e<\/em>
\n\u0423\u0447\u0430\u0441\u0442\u0438\u0435 \u0432 colluvio 2025<\/em><\/p>\n

 <\/p>\n

\u0410\u044d\u0440\u043e\u043f\u043e\u0440\u0442 \u0412\u0435\u043d\u044b, 26 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 2025 \u0433\u043e\u0434\u0430<\/p>\n

\u0414\u043e\u0440\u043e\u0433\u043e\u0439 \u041c\u0430\u0439\u043d\u0445\u0430\u0440\u0434!<\/p>\n

\u042f \u0441\u0435\u0439\u0447\u0430\u0441 \u043d\u0430\u0445\u043e\u0436\u0443\u0441\u044c \u0432 \u0430\u044d\u0440\u043e\u043f\u043e\u0440\u0442\u0443 \u0412\u0435\u043d\u044b \u0438 \u043c\u0435\u043d\u044c\u0448\u0435, \u0447\u0435\u043c \u0447\u0435\u0440\u0435\u0437 \u0447\u0430\u0441 \u0431\u0443\u0434\u0443 \u0432\u044b\u043b\u0435\u0442\u0430\u0442\u044c \u0432 \u0421\u0442\u0430\u043c\u0431\u0443\u043b, \u0430 \u043f\u043e\u0442\u043e\u043c \u043e\u0442\u0442\u0443\u0434\u0430 \u0438 \u0432 \u041c\u043e\u0441\u043a\u0432\u0443.
\n\u042f \u0445\u043e\u0447\u0443 \u043f\u043e\u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u0438\u0442\u044c \u0432\u0430\u0441 \u0437\u0430 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0439 \u043f\u0440\u043e\u0435\u043a\u0442, \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u043c \u043c\u043d\u0435 \u043f\u043e\u0441\u0447\u0430\u0441\u0442\u043b\u0438\u0432\u0438\u043b\u043e\u0441\u044c \u043f\u0440\u0438\u043d\u044f\u0442\u044c \u0443\u0447\u0430\u0441\u0442\u0438\u0435 \u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0432\u0430\u0448\u0435\u043c\u0443 \u043f\u0440\u0438\u0433\u043b\u0430\u0448\u0435\u043d\u0438\u044e!<\/p>\n

\u041d\u0435 \u043c\u043e\u0433\u0443 \u043e\u043f\u0438\u0441\u0430\u0442\u044c \u0442\u0443 \u0440\u0430\u0434\u043e\u0441\u0442\u044c, \u043a\u043e\u0442\u043e\u0440\u0443\u044e \u043c\u043d\u0435 \u043f\u0440\u0438\u043d\u0435\u0441\u043b\u0430 \u044d\u0442\u0430 \u043f\u043e\u0435\u0437\u0434\u043a\u0430. \u0418 \u0447\u0435\u0433\u043e \u044f \u0441\u043e\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u043e \u043d\u0435 \u043e\u0436\u0438\u0434\u0430\u043b\u0430, \u043d\u043e \u0447\u0442\u043e, \u043a \u0441\u0447\u0430\u0441\u0442\u044c\u044e, \u043f\u0440\u043e\u0438\u0437\u043e\u0448\u043b\u043e \u2014 \u044f \u0438 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u044c \u043d\u0435 \u043c\u043e\u0433\u043b\u0430, \u0447\u0442\u043e \u0441\u043e\u0431\u0435\u0440\u0435\u0442\u0441\u044f \u0442\u0430\u043a\u0430\u044f \u0437\u0430\u043c\u0435\u0447\u0430\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u043a\u043e\u043c\u0430\u043d\u0434\u0430 \u043b\u044e\u0434\u0435\u0439, \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0445 \u043c\u0443\u0437\u044b\u043a\u0430\u043d\u0442\u043e\u0432, \u0441 \u043a\u043e\u0442\u043e\u0440\u044b\u043c\u0438 \u0443 \u043c\u0435\u043d\u044f \u0441\u043b\u043e\u0436\u0430\u0442\u0441\u044f \u043e\u0447\u0435\u043d\u044c \u0442\u0435\u043f\u043b\u044b\u0435 \u0438 \u0434\u0440\u0443\u0436\u0435\u0441\u043a\u0438\u0435 \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u044f. \u041d\u0430\u0432\u0435\u0440\u043d\u043e\u0435, \u0441\u0430\u043c\u043e\u0435 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0435 \u2014 \u044d\u0442\u043e \u043b\u044e\u0434\u0438 \u0438 \u0438\u0445 \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u0435: \u043a \u0434\u0440\u0443\u0433\u0438\u043c \u043b\u044e\u0434\u044f\u043c, \u043a \u043c\u0438\u0440\u0443, \u043a \u043c\u0443\u0437\u044b\u043a\u0435. \u0414\u0430\u0436\u0435 \u043d\u0435\u0441\u043c\u043e\u0442\u0440\u044f \u043d\u0430 \u0431\u043e\u043b\u044c\u0448\u043e\u0435 \u043a\u043e\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u043e \u0432\u043f\u0435\u0447\u0430\u0442\u043b\u0435\u043d\u0438\u0439, \u043d\u0430 \u043a\u0440\u0430\u0441\u043e\u0442\u0443 \u0433\u043e\u0440\u043e\u0434\u043e\u0432, \u0441\u0430\u043c\u043e\u0435 \u044f\u0440\u043a\u043e\u0435 \u0432\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u0435, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u044f \u0441\u043e\u0445\u0440\u0430\u043d\u044e \u2014 \u044d\u0442\u043e \u043b\u044e\u0434\u0438.<\/p>\n

\u0421\u043f\u0430\u0441\u0438\u0431\u043e \u0432\u0430\u043c \u0437\u0430 \u0432\u0430\u0448\u0435 \u0433\u043e\u0441\u0442\u0435\u043f\u0440\u0438\u0438\u043c\u0441\u0442\u0432\u043e, \u0449\u0435\u0434\u0440\u043e\u0441\u0442\u044c \u0438 \u043d\u0435\u0432\u0435\u0440\u043e\u044f\u0442\u043d\u044b\u0439 \u044d\u043d\u0442\u0443\u0437\u0438\u0430\u0437\u043c, \u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u043a\u043e\u0442\u043e\u0440\u043e\u043c\u0443 \u043c\u043d\u043e\u0433\u043e \u043b\u0435\u0442 \u043f\u0440\u043e\u0445\u043e\u0434\u0438\u0442 Colluvio \u0438 \u0431\u0443\u0434\u0435\u0442 \u043f\u0440\u043e\u0445\u043e\u0434\u0438\u0442\u044c \u0438 \u0434\u0430\u043b\u044c\u0448\u0435!<\/p>\n

\u0412\u0441\u0435\u0433\u043e \u0432\u0430\u043c \u0441\u0430\u043c\u043e\u0433\u043e \u0434\u043e\u0431\u0440\u043e\u0433\u043e!<\/p>\n

\u0421\u0430\u0448\u0430<\/p>\n

<\/div>\n

\"\"<\/a><\/em><\/strong><\/p>\n<\/div>\n

Ernest BLOCH<\/strong>, Streichquartett Nr. 4 (1953)
\n<\/em>2. Satz, Andante
\nAbschlu\u00dfkonzert der Tournee 2025, Belgrad
\nAleksandra Pavlenko (27), Violine, Hannah Kim (23), Violine, Jack Kessler (23), Viola, Jae Min Kim Kang (23), Cello
\n<\/em>Hier<\/em><\/a><\/strong>\u00a0findet man das\u00a0<\/em>GANZE VIDEO<\/em><\/a><\/strong>\u00a0mit allen S\u00e4tzen.<\/em><\/h6>\n

 <\/p>\n

\n

Assia Weissmann *1996, Ru\u00dfland\/Deutschland, Violine,<\/em><\/strong>
\nAkademistin der Wiener Philharmoniker seit September 2023,
\n<\/em><\/strong>Teilnahme an colluvio 2019 und 2021<\/em><\/p>\n

Wir gratulieren Assia zu Ihrer neuen Stelle als Akademistin der Wiener Philharmoniker ab September 2023. Sie schreibt uns:<\/p>\n

Liebes Colluvio Team!<\/p>\n

Ich danke Dir und Euch von Herzen f\u00fcr die r\u00fchrenden Worte!! Ich denke immer voller W\u00e4rme und Dankbarkeit an die wunderbare und unendlich bereichernde Zeit bei Colluvio zur\u00fcck \u2013 musikalisch wie menschlich. Ich freue mich f\u00fcr alle kommenden Generationen, die diese noch vor sich haben!<\/p>\n

Mit viel Liebe,<\/p>\n

Assia<\/p>\n<\/div>\n

\"\"<\/a>

Assia Weissmann, Konzert in Cluj-Napoca, Rum\u00e4nien, colluvio 2021<\/p><\/div>\n

El\u00edas Zaabi S\u00e1ez (25), Viola, Spanien\/Tunesien, HKU Utrecht Conservatorium (Klasse Mikhail Zemtsov)<\/strong><\/em>
\nTeilnehmer an colluvio 2023<\/em><\/p>\n

14.12.2023<\/p>\n

Dear colleagues and friends,<\/p>\n

I am so happy to share with you this professional recording made in Belgrade during colluvio<\/a> Chamber Music Festival during last summer.<\/p>\n

I cannot express with words all my gratitude during this unique experience. This festival could not have taken place without the direction of Meinhard Holler<\/a>, all the professors (Yuri, Olivera and Meinhard), the guest critique (Claus-Christian Schuster founder of the Altenberg trio) and all the kind staff (Meinhards‘ family). I would like to thank as well my quartet mates for all the effort and patience to perform such an interesting piece. We rehearsed in a beautiful chateau in Fisch Gut Hornegg<\/a> close to Graz and we concluded the festival after a great tour in central Europe.<\/p>\n

After my experience in several chamber music festival, colluvio is one of the most complete ones that I have experienced. The quality reached and the deep digging in the comprehension of the pieces is extraordinary, rarely approached in this type of festivals!<\/p>\n

El\u00edas Zaabi S\u00e1ez<\/p>\n

\"\"<\/a><\/p>\n

Gabriel FAUR\u00c9<\/strong>, 2.Klavierquartett, op. 45, Allegro molto (IV.)
\nAbschlu\u00dfkonzert der 2023 Tournee, Belgrad
\nPetar Krokar (24) Klavier, Fr\u00e9d\u00e9ric Pouliot (22) Violine, El\u00edas Zaabi S\u00e1ez (25) Viola, Hyunah Pyo\u00a0(21) Cello
\nHier<\/a><\/strong> findet man das GANZE<\/strong><\/a> VIDEO<\/strong><\/a> mit allen S\u00e4tzen.<\/h6>\n

Oktober 2023<\/p>\n

Petar Krokar (24), Klavier, Kroatien, Musikakademie Zagreb (Klasse Ruben Dalibaltayan) und Ferenc Liszt Akademie Budapest (Klasse Kl\u00e1ra W\u00fcrtz)<\/strong><\/em>
\nTeilnehmer an colluvio 2023 und 2023<\/strong><\/em><\/p>\n

\u201e\u2026Zun\u00e4chst einmal vielen Dank f\u00fcr die wunderbare Erfahrung dieses Colluvio!
\nF\u00fcr mich war es eine spirituelle Reise, sowohl in musikalischer als auch in individueller Hinsicht.
\nDie Komposition selbst (das 2. Klavierquartett von Gabriel Faur\u00e9) bot viel und die Arbeit daran brachte so viel Leben, Reichtum und Freude an der Erkundung jedes kleinen Details. Eine v\u00f6llig andere Erfahrung als mein erstes Mal bei Colluvio 2020. Nat\u00fcrlich im positiven Sinne.
\nDieses Mal habe ich alles intensiver und pers\u00f6nlicher erlebt. Vom Gut Hornegg angefangen, als Ort der Inspiration, \u00fcber die Zusammenarbeit mit euch Professoren, vor allem mit Ihnen Meinhard, der Sie Faur\u00e9 von Anfang an begleitet haben, bis hin zu den Beziehungen zu den Menschen. Vielleicht war es bei mir nicht sichtbar und vielleicht habe ich es auch nicht wirklich gezeigt, aber angesichts einiger Dinge, die kurz vor Colluvio passiert sind und \u00fcber die zu sprechen mir nicht gerade angenehm war, war Colluvio f\u00fcr mich wie eine Wiedergeburt … Durch die Zeit bei Colluvio wurden meine Batterien mit der Hoffnung auf ein besseres Morgen gef\u00fcllt, auf die Schaffung sch\u00f6ner Musik, und es vermittelte mir ein anderes Bild \u2013 dass Musik das Wichtigste und die Essenz unseres Sch\u00f6pfens ist.<\/p>\n

Auch heute habe ich die Situation mit der Hochschule immer noch nicht verarbeitet, aber Colluvio hat meinen Schmerz wirklich gelindert \u2013 die Gastfreundschaft auf Gut Hornegg, am wichtigsten \u2013 die SORGE der Professoren f\u00fcr uns Teilnehmer und f\u00fcr die Entwicklung der Komposition, die wir gespielt haben.
\nDas sch\u00e4tze ich am meisten! Diese Arbeit bis ins kleinste Detail, die gleichen Dinge 100 Mal zu wiederholen, bis sie klingen, den Klang zu recherchieren und die Vorgaben des Komponisten zu respektieren \u2013 Ihr Mentoren habt mir genau das gegeben, was ich in diesem Moment brauchte \u2013 Trost! Ihr habt gezeigt, wie man mit Studenten arbeitet und mit wie viel Sorgfalt, das hat mich wirklich ber\u00fchrt! Meinhard, ich bin so dankbar f\u00fcr diese Erfahrung \u2013 ich kann es nicht beschreiben!!!!!\u201c<\/p>\n

Das kroatische Original lesen\u2026<\/a><\/h3>
<\/p>\n

Original in kroatischer Sprache:<\/em><\/p>\n

Oktobar 2023. godine
\n
\nPetar Krokar<\/em><\/strong> (24), klavir, Hrvatska, Muzi\u010dka akademija Zagreb (klasa Rubena Dalibaltayana) i Akademija Ferenca Liszta u Budimpe\u0161ti (klasa Kl\u00e1re W\u00fcrtz)<\/strong><\/em>
\nU\u010desnik colluvio 2023. i 2020. godine<\/strong><\/p>\n

\u201e\u2026Prije svega, hvala na predivnom iskustvu ovog Colluvia! Za mene je to bilo jedno duhovno putovanje, \u0161to glazbeno, \u0161to individualno. Ve\u0107 sama skladba ponudila je puno, a rad na njoj unio toliko \u017eivota, bogatstva i radosti istra\u017eivanja svakog malog detalja. Apsolutno druk\u010dije iskustvo nego moj prvi put na Colluviu 2020. Naravno, u pozitivnom smislu. Ovaj put sam sve do\u017eivio intezivnije i osobnije. Od samog Gut Hornegga kao mjesta inspiracije, rada sa vama profesorima, prije svega sa Vama Majnhard koji ste bili uz Faurea od samog po\u010detka te sve do odnosa sa ljudima. Mo\u017eda se to i nije vidilo na meni i mo\u017eda nisam ba\u0161 pokazivao, ali s obzirom na neke stvari koje su se desile netom prije Colluvia, a o kojima meni nije bilo ba\u0161 ugodno razgovarati, Colluvio je meni do\u0161ao kao preporod\u2026<\/p>\n

Tako da, bivanjem na Colluviu meni su se baterije napunile nadom za bolje sutra, za lijepim stvaranjem glazbe i dalo mi je drugu sliku – da je glazba najbitnija i da je esencija na\u0161eg stvaranja. Dan danas nisam procesuirao situaciju sa diplomom, ali mi je Colluvio stvarno olak\u0161ao tu bol – Gostoprimstvom u Gut Horneggu, najbitnije – profesorskom BRIGOM za nas u\u010desnike i za razvoj kompozicije koju smo svirali. Ja to najvi\u0161e cijenim! Taj rad do najsitnijeg detalja, ponavljanje 100 puta istih stvari dok ne za zvu\u010de, istra\u017eivanje zvuka i po\u0161tivanje kompozitorovih oznaka – vi mentori ste mi pru\u017eili pravo to \u0161to je meni trebalo u tom trenutku – utjehu! Pokazali ste kako se treba i s koliko brige raditi sa studentima \u0161to je mene jako dotaklo! Majnhard, ja sam toliko zahvalan na ovom iskustvu – da to ne mogu opisati!!!!!\u201d…..<\/p>\n

<\/div>\n

\"\"<\/a>

colluvio 2023, Petar Krokar (24), spielt Faur\u00e9s 2. Klavierquartett mit Fr\u00e9d\u00e9ric Pouliot (22), El\u00edas Zaabi S\u00e1ez (25) und Hyunah Pyo (21). Konzert in Ljubljana<\/p><\/div>\n

 <\/p>\n

September 2023<\/p>\n

Hyunah Pyo (21 Jahre), Violoncello, Korea, Robert Schumann Hochschule D\u00fcsseldorf (Klasse Pieter Wispelwey)<\/strong>
\nTeilnehmerin an colluvio 2023<\/strong>
\n<\/em><\/p>\n

Liebe Olivera Mili\u0107-Hirscher, Lieber Meinhard Holler, Yuri Kot und Claus-Christian Schuster,<\/p>\n

Vielen Dank f\u00fcr Ihre gro\u00dfe Liebe an junge Musiker und Musikerinnen!
\nDie Colluvio\u00a0Academy hat mich dazu gebracht, die Musik noch mehr zu lieben und das Leben als Musiker zu lieben.
\nIch erinnere mich an die unendliche Leidenschaft meiner Lehrer und Lehrerin\u00a0und werde weiterhin danach streben, wundersch\u00f6ne Musik mit verschiedenen Menschen auf der Welt zu teilen.<\/p>\n

Liebe Gr\u00fc\u00dfe aus Korea,<\/p>\n

Hyunah Pyo<\/p>\n

\"\"

colluvio 2023, Hyunah Pyo (21), spielt Faur\u00e9s 2. Klavierquartett mit Petar Krokar (24), Fr\u00e9d\u00e9ric Pouliot (22) und El\u00edas Zaabi S\u00e1ez (25). Konzert in Ljubljana<\/p><\/div>\n

 <\/p>\n

11.09.2020
\n
\nRobin de Talhou\u00ebt (20 Jahre), Cello, Frankreich, Conservatoire national sup\u00e9rieur de Paris (Klasse Rapha\u00ebl Pidoux), Teilnehmer 2020<\/em>
\n<\/strong><\/p>\n

\u2026Everything indeed went well after that first train I missed in Vienna. I\u2019m really looking forward to seeing the videos now, not only Debussy but Arenski and Dvorak too! I don\u2019t know yet what the upcoming summer is going to be like, but I\u2019d really, really love to come back.<\/p>\n

I wanted to write you an email to thank you once again and your whole family for welcoming us in that beautiful place and making this summer so unique. To me, it really was an eye-opening experience on chamber music. Having the opportunity to play with musicians with completely different musical backgrounds and cultures was super interesting and rewarding.\u00a0 Courses like this one are extremely rare: it was all about the music and having good times, while still being very serious and focused on working together, not about who\u2019s playing scales the fastest.<\/p>\n

After colluvio I took a few days break from the cello, and coming back to it I was amazed by the sound progress I made and I think it is greatly due to playing that much chamber music.<\/p>\n

Best regards from Paris!<\/p>\n

Robin<\/p>\n

\"\"

Robin de Talhou\u00ebt, Konzert in Prag 2020<\/p><\/div>\n

 <\/p>\n

15.09.2019
\n
\nSamuel Ng (20 Jahre), Cello, Malaysia, Royal College of Music London<\/em><\/strong> (Klassen Raphael Wallfisch & H\u00e9l\u00e8ne Dautry), <\/em><\/strong>Teilnehmer 2019<\/em><\/strong><\/p>\n

Just wanted to say thank you ever so much for giving me the chance to come to Colluvio, I couldn\u2019t have asked for a better time with so much to learn. From the bottom of my heart, it was really such an amazing experience to learn so much from you guys and also my colleagues. I really hope that I have the chance to come back to such an amazing opportunity in the future years.<\/p>\n

\"\"

Samuel Ng 2019, Hornegg<\/p><\/div>\n

 <\/p>\n

05.01.2020
\n
\nAnastasiya Sharina (25 Jahre), Klavier, Ukraine, Nationale Musikakademie Kiev (Klasse Yuri Kot), Teilnehmerin 2016, 2017, 2019<\/em><\/strong><\/p>\n

Having taken part in master classes three times (2016,2017 and 2019), I can say that every year left completely different, but no doubt vivid impressions.
\nColluvio can teach you not only to play music in ensemble, but also to acquire a skill that will help you in your future professional life. One of them is the ability to create a common ensemble in a very short period of time, to come to a common understanding of the spirit of music and many other usefull things.
\nBased on my own experience, I can say that the level of participants is quite high in the technical sense of playing instruments, the emotional perception of music, the level of intelligence, etc. It is this aspect that will make your stay at Colluvio interesting and give you an unforgettable experience for a lifetime.
\nLessons with professors may surprise you with something new, but they may also confirm all your knowledge about performing the chamber music. One way or another, but every teacher will inspire you to work productively on a piece of music. Each teacher will make a valuable contribution to the common cause \u2013 the creation of a concept convincing for both the performer and the listener.
\nOne of the individual features of Colluvio are home concerts, which take place every second day of the master classes. Practice shows that frequent playing your compositions for teachers, other participants, casual guests and the Holler family gives high and qualitative results:<\/p>\n

Weiterlesen\u2026<\/a><\/h3>
<\/p>\n

firstly, it helps to cope with the stage excitement, which all musicians certainly experience to one degree or another; secondly, facilitates the holistic perception and recreation of the piece; thirdly, it helps to better feel your ensemble partners.\u00a0 Also, \u201ehome concerts\u201c, take place in a new place every time. Such an element of unpredictability also brings a twist and encourages musicians to rediscover sound balance, adapt to acoustics, etc.<\/p>\n

Participation in these master classes is also able to give you new friends with whom you will want to communicate and play even after the completion of the project. Thanks to the fact that each participant represents a new country, Colluvio becomes an international project. Within a month, you can get acquainted with the culture of different countries, a bit learn unfamiliar language, learn about the features of studying in different music academies, discover other famous teachers, etc.<\/p>\n

The most difficult but enjoyable part of Colluvio will be the concert tour. On the one hand, daily relocations and concerts in different cities and countries will completely exhaust you. On the other hand, that sincere gratitude and genuine interest of the audience that you can feel during each concert will give you new strength for the next concerts. Traveling from place to place, daily plunging into the culture of different countries, all participants of Colluvio share a common feature \u2013 the love of music and the desire to share it with the audience.<\/p>\n

Of course, each participant will find exactly what he is looking for at the master classes. This may be the opportunity to perform on a large stage, mastering a new musical work, cool communication with interesting guys, moral and physical relaxation and, of course, gaining professional knowledge and skills. For every musician, there is one trait for which he could fall in love with Colluvio and all the people who help this project take place every summer for almost twenty years.<\/p>\n

For me personally, Colluvio is a special project, not like other master classes. This is not just a competition between participants who will be the quickliest one to learn the work in 10 days or who can better play their trio \/ quintet at a home concert. When you arrive at Colluvio, you will feel that it is a large musical family in which you could feel joy and pride from the fact that for some period you become \u0430 part of it.
\nTherefore, I advise every musician who is interested in professionally developing their skills and expanding the boundaries of their skill to come to Colluvio and feel everything what I felt.<\/p>\n

<\/div>\n

\"\"

Anastasiya Sharina in einer Probe, 2016<\/p><\/div>\n

 <\/p>\n

24.11.2019<\/p>\n

Andr\u00e1s Moldov\u00e1nyi (23 Jahre), Klavier, Ungarn, Franz Liszt Akademie Budapest<\/em> (Klassen A. Kemenes und Imre Hargitai), Teilnehmer 2019<\/em><\/strong><\/p>\n

Colluvio ist ein wirklich einzigartiger Meisterkurs. Ich habe nirgendwo so intensiv wie dort mit der Kammermusik besch\u00e4ftigt. Die wundersch\u00f6ne Umgebung, die Motivation der Lehrer und der Teilnehmer und die reichlich zur Verf\u00fcgung stehende Zeit schafft eine ganz spezielle M\u00f6glichkeit, tief in die Musik und das kammermusikalische Musizieren vorzudringen.<\/p>\n

Wenn man an einen Meisterkurs denkt, f\u00e4llt einem normalerweise das Verfeinern von einzelnen St\u00fccken oder die musikalische Entwicklung ein. Aber um ein guter Musiker zu werden, braucht man viel mehr. Und colluvio mit der angeschlossenen Konzerttournee vermittelt uns Musikern alles, was daf\u00fcr n\u00f6tig ist.<\/p>\n

\"\"

Andr\u00e1s Moldov\u00e1nyi, Probe in Hornegg, 2019<\/p><\/div>\n

 <\/p>\n

03.08.2006
\n
\nJohanna Rust (17 Jahre), Cello, Deutschland\/ Finnland, Teilnehmerin 2005<\/em><\/strong><\/p>\n

Wie geht es dir? Hast du dieses Jahr (jetzt) wieder colluvio-Kurse? D\u00fcrfen wieder einige junge Leute die einzigartige Erfahrung in S\u00fcd-\u00d6sterreich machen?<\/p>\n

Ich werde diese Wochen vor einem Jahr bestimmt nie vergessen. Sie haben mein Leben sehr gepr\u00e4gt, auch wenn ich dies erst mit der Zeit wahrnehme und zu sch\u00e4tzen wei\u00df.<\/p>\n

Vielen Dank!<\/p>\n

Ich w\u00fcrde mich freuen von dir zu h\u00f6ren!!!!<\/p>\n

Deine Johanna<\/p>\n

\"\"

Johanna Rust, Abschlu\u00dfkonzert in Belgrad 2005<\/p><\/div>\n

 <\/p>\n

21.1.2020<\/p>\n

Sofia Kolupov (22 Jahre), Violine, Gro\u00dfbritannien\/Ukraine, K\u00f6nigl. <\/em><\/strong>Musikhochschule Stockholm, (Klasse Cecilia Zilliacus) Teilnehmerin 2019 und 2020<\/em><\/strong><\/p>\n

Thank you so much for this inspiring, wonderful and magical experience I had last summer! Colluvio exceeded\u00a0my expectations by a long way.<\/p>\n

The level of the musicians was extremely high \u2013 each player had their own very distinct musical personality which meant that by working with each other and listening to each other perform, we were constantly\u00a0learning.<\/p>\n

\"\"

Sofia Kolupov, Konzert in M\u00fcrzzuschlag 2020<\/p><\/div>\n

The added experience\u00a0of having the opportunity\/luxury to work so in-depth on one piece for such an intense period of time made it even more special as all the players got to know each other really well and to develop very close friendships.<\/p>\n

The fact that on the tour we performed our piece so many times in very different circumstances and in various acoustics with different audiences was something which I hadn\u2019t experienced before and which taught me a lot. Every concert was recorded, which was very interesting and helpful as we were able to listen to the recordings on the long bus journeys and analyse our last performance in order to improve for the next one.<\/p>\n

The first half of the course, we were guided by wonderful musicians (cello, violin and piano professors) who came from different countries and musical backgrounds. Their teaching and advice gave us various angles and ways to approach the repertoire which we were working on. Claus Christian Schuster was an amazing man to work with. He really is a genius \u2013 an amazing musical mind with a huge heart. His insights into Weinberg\u2019s Quintet were really fascinating and eye-opening and yet he was so humble when he sat with us in the evenings and told us his life-stories and experiences.<\/p>\n

Weiterlesen\u2026<\/a><\/h3>
<\/p>\n

Sight-reading in the evenings was so much fun \u2013 it\u2019s been a long time since I met other musicians who are as fanatic and enthusiastic about sight-reading chamber music as I am\u2026<\/p>\n

Gut Hornegg is a beautiful place which really made me feel very inspired and at home. I really couldn\u2019t believe my eyes that first morning when I looked out of my window and saw the sun shining on the castle. Being able to run through the hills and swim in the lake was a wonderful way to take a break from all the rehearsing, practising and performing. I felt so welcome in Gut Hornegg and your mother, who was always so friendly and lovely to speak to, made amazing food too, even for the vegetarians!<\/p>\n

As for the tour, this was an extraordinary experience. The crazy bus journeys, listening to balkan music on repeat (\u201aTi Si Moj Greh\u2018 by Lepa Brena was played hundreds of times\u2026), bringing our chamber music to so many people in different countries\u2026 It was really was something very special and unforgettable.<\/p>\n

Aside from music, the things which bring me the most joy in life are travelling, discovering new languages and foods, seeing new cities, meeting new friends from around the world. Colluvio let me experience all these things, for which I am extremely grateful. On the last day, when we had to say our goodbyes, there were definitely some tears.<\/p>\n

Let\u2019s keep in contact! And let me repeat \u2013 I definitely want to come back to Colluvio again next summer!<\/p>\n

Best wishes,<\/p>\n

Sofia<\/p>\n

<\/div>\n

 <\/p>\n

20.11.2020<\/p>\n

Elena Ovcharenko<\/strong>, (22 Jahre) Klavier, Ukraine, Nationale Musikakademie Kiev (Klasse Yuri Kot), Teilnehmerin 2017, 2018<\/strong>
\n<\/em><\/p>\n

\u0414\u043e\u0440\u043e\u0433\u043e\u0439 \u041c\u0430\u0439\u043d\u0445\u0430\u0440\u0434!<\/p>\n

\u042f \u0442\u043e\u0436\u0435 \u0441\u043a\u0443\u0447\u0430\u044e \u043f\u043e colluvio, \u043f\u043e \u0442\u0435\u0431\u0435 \u0438 \u0442\u0432\u043e\u0435\u0439 \u0437\u0430\u043c\u0435\u0447\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0441\u0435\u043c\u044c\u0435. \u0421\u0435\u0439\u0447\u0430\u0441, \u043a\u043e\u0433\u0434\u0430 .\u043d\u0430\u0448\u0438 \u0433\u0440\u0430\u043d\u0438\u0446\u044b \u0437\u0430\u043a\u0440\u044b\u0442\u044b \u0438 \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u044b \u0432 \u0434\u0440\u0443\u0433\u0438\u0445 \u0441\u0442\u0440\u0430\u043d\u0430\u0445 \u043d\u0435\u0432\u043e\u0437\u043c\u043e\u0436\u043d\u044b, \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e .\u0432\u0430\u0436\u043d\u043e, \u0447\u0442\u043e \u0431\u044b\u043b\u0438 \u0442\u0430\u043a\u0438\u0435 \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u044b. \u042d\u0442\u043e \u043e\u0433\u0440\u043e\u043c\u043d\u044b\u0439 \u043e\u043f\u044b\u0442 \u0438 \u044f \u0432\u0441\u0435\u0433\u0434\u0430 \u0442\u0435\u0431\u0435 \u043e\u0447\u0435\u043d\u044c \u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u043d\u0430.<\/p>\n

\u041a\u0440\u0435\u043f\u043a\u043e \u043e\u0431\u043d\u0438\u043c\u0430\u044e, \u0446\u0435\u043b\u0443\u044e. \u0411\u0435\u0440\u0435\u0433\u0438 \u0441\u0435\u0431\u044f!<\/p>\n

\u041b\u0435\u043d\u0430<\/p>\n

\"\"

Elena Ovcharenko mit Anastasiya Sharina<\/p><\/div>\n

 <\/p>\n

07 01 2017<\/p>\n

David Horvat (18 Jahre), Violine, Serbien, Yehudi Menuhin School London (Klasse Natasha Boyarski), Teilnehmer 2016, 2017, 2019
\n<\/em><\/strong><\/p>\n

Dragi Majnharde,<\/p>\n

fakultet ide dobro, sve bolje i bolje, ve\u0107 sam se navikao na novo okru\u017eenje i dru\u0161tvo! Colluvio 2016 je bilo ne\u0161to prelepo sto sam do\u017eiveo, proveo sam se kao nigde drugde. Stvarno je bilo vrhunski provod, imam mnogo lepih se\u0107anja.
\n\u017delim i da Vam se zahvalim za organizaciju tog kursa i sve \u0161to ste nam priu\u0161tili tada \u2013 ekipa, dru\u017eenje i muzika je bila neverovatna, i stvarno sam zahvalan za sve!<\/p>\n

\u017delim Vam sve najbolje i najlep\u0161e u ovoj novoj 2017toj!!!<\/p>\n

Puno pozdrava iz \u0106uprije,<\/p>\n

David<\/p>\n

\"\"

David Horvat, Probe Hornegg 2019<\/p><\/div>\n

 <\/p>\n

09.09.2010
\n
\nNeritan Hysa (23 Jahre), Klavier, Kosovo, Musikhochschule Pri\u0161tina (Klasse Valbona Petrovci), Teilnehmer 2010, 2012<\/em><\/strong><\/p>\n

Dragi Majnharde!<\/p>\n

A sad na engleskom, po\u0161to mi je lak\u0161e \ud83d\ude42
\nI apologise for not writing to you earlier. I\u2019m really bad in keeping contacts and internet mailing. But that doesn\u2019t mean that I didn\u2019t want to.
\nActually, I have to\u00a0say thank you very sincerely for giving me the most interesting month of my life so far. I have enjoyed every moment of that pleasant stay in Hornegg, and I miss it
\nvery much. Practising together, beers, and eating the lunch \u2013 I\u2019ve never eaten better thanks to your mother\u2019s cooking skill.
\nIt\u2019s great that at least some people are meeting you soon, and perhaps Sabeth. I just talked to Marija half an hour ago on Facebook, and we talked about possibilities to meet, so that will probably happen soon. I also think you\u2019re coming here sometime next year. World is not too big after all.
\nI\u2019m lerning German by the way, hopefully soon I can be able to communicate, and not miss any jokes. Aber jetzt mein Deutsch ist noch nicht gut genug.
\nSay hello to your family and to everybody else I know.<\/p>\n

Veliki pozdrav
\nNeritan<\/p>\n

 <\/p>\n

\"\"

Neritan Hysa 2012 (mit Hofhund Tim)<\/p><\/div>\n

 <\/p>\n

12.12.2007<\/p>\n

Zs\u00f3fi Klacsmann, (25 Jahre), Ungarn, Musikuniversit\u00e4t Szeged (Klassen A. Velez und K. Sin), Teilnehmerin 2007<\/em><\/strong><\/p>\n

Dear Meinhard!<\/p>\n

As I promised here is my letter. What I really have to tell You, is my story before Colluvio.<\/p>\n

I\u2019ve finished the University in 2006.I was workless until now\u2026 In this summer I was really fed up, with travelling, and have just one or two weeks long works, in other cities, and I haven\u2019t got a permanent, fix work, with salary.
\nIn Hungary it\u2019s so difficult, but we had talked about it. I tried a lot of things, I went on some auditions, and I wrote a lot of letters to music schools, but I didn\u2019t have success. So I was really sorry, and I decided, if I won\u2019t have work until June, I will go to the army:)It\u2019s seems so stupid now, but I was really sad, and felt like giving up to play the cello.<\/p>\n

And then came Colluvio, like a miracle. It was one of my most beautiful experiences, when You called me, and invited me, to take part in Colluvio. And when we were there, I found my place. I could see there, that I\u2019m not as bad cellist as I thought it here at home. I could see, that to give up to play the cello, it would be terrible.<\/p>\n

And when we came home from there, a lot of things changed in my mind. I find now pleasures, and new inspirations in playing the cello. First I thought that, I will go to Germany to study more, but then I found this audition on the internet. I felt,:\u201cWhy not?\u201c \u2013 and got it. It\u2019s so fantastic, what I feel now in my heart.<\/p>\n

And I really want to thank You for everything, You, and Ana, and Jurij, gave me a \u201enew life\u201c, with Your love and enthusiasm:) So I really thank You for everything!<\/p>\n

With a lot of love:Zs\u00f3fi<\/p>\n

\"\"

Zs\u00f3fi Klacsmann, 2007<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Aleksandra Pavlenko (*1997, 27 Jahre), Violine, Ru\u00dfland, \u010cajkovskij Konservatorium Moskau Teilnahme an colluvio 2025   Flughafen Wien, 26. August 2025 Lieber Meinhard! Ich bin gerade am Flughafen in Wien und werde in weniger als einer Stunde nach Istanbul fliegen, von dort aus weiter nach Moskau….<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-neuebreite.php","meta":{"footnotes":""},"class_list":["post-352","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/pages\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/comments?post=352"}],"version-history":[{"count":121,"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/pages\/352\/revisions"}],"predecessor-version":[{"id":5012,"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/pages\/352\/revisions\/5012"}],"wp:attachment":[{"href":"https:\/\/www.colluvio.com\/de\/wp-json\/wp\/v2\/media?parent=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}